“All We Have Gone Astray”
Isaiah 53:1-7 (53:6) – April 15, 2022
On this day – this night – of Good Friday, we finish our Lenten journey. We walk the way of Jesus, to the Cross. This bitter, grievous Biblical event and the other heartbreaking parts of the Passion are widely depicted in art and music. Music is so important to me, and I relate to much of the musical settings of the Passion and of Good Friday.
This Passion Week can be overwhelming. Today’s story is the big story to which all the rest of the week has been leading us. As we walk (or listen) through these stories, I encourage you to take them one at a time. I invite all of us to focus on that one part; pray and meditate on the event depicted.
What songs, what hymns, what pieces of music come to your mind as you think of this bitter event in our Lord Jesus’s time here on earth? Musical settings of Scripture come to my mind right now. I am especially remembering George Frederic Handel and the second section of his oratorio “Messiah.” All have words of Scripture, and all are gorgeous musical settings.
Nancy read a portion of Isaiah 53 just now, and this Scripture is found in three choruses, which follow each other in quick succession in Part II of the “Messiah.” I sang in the chorus of music majors at the undergrad college I attended. Each year we sang “Messiah,” and singing this masterpiece was one of the highlights of my school years there.
The lyrics of the first chorus? “Surely He hath borne our griefs, and carried our sorrows. He was wounded for our transgressions, he was bruised for our iniquities.” I invite you to enter into the profound grief of this Scripture reading. As He prayed in the Garden of Gethsemane, we can receive and attempt to understand what our Lord Jesus bore. He bore it all for our sakes.
The second chorus is somber and incredibly moving. “And with His stripes we are healed.” I am led to consider my own unrighteousness. Jesus took the sins of the world upon Himself. Through the events of that arrest and trials on Thursday night and Friday morning, Jesus was beaten. Somehow, a healing comes from the stripes, the bitter lashes in some way. It is so difficult to contemplate, but the book of Isaiah tells us it was for our corporate healing.
The third chorus from Part II: “All we like sheep have gone astray.” The lightness of the opening of the chorus is fitting for sheep, gamboling about in green pastures. Musically, they go every which way, as the bright lines of polyphony lead us in separate directions. Yet, the homophonic finish brings us all to a sharp realization. The Lord has indeed laid on Jesus Christ the iniquity of us all.
As a result of our Lord taking upon Himself our iniquity, “we are no longer defined by our sin, our iniquities, our sorrows, our transgressions. All are defined by Christ’s death. God’s mercy revealed in the ugliness of Christ’s crucifixion defines us all.” 
We have a postscript, a coda on the life of George Frederic Handel. A few days before Handel died, he expressed his desire to die on Good Friday, “in the hopes of meeting his good God, his sweet Lord and Savior, on the day of his Resurrection.” He lived until the morning of Good Saturday, April 14, 1759. His death came only eight days after his final performance, at which he had conducted his masterpiece, “Messiah.” Handel was buried in Westminster Abbey, with over three thousand in attendance at his funeral. A statue erected there shows him holding the manuscript for the solo that opens part III of “Messiah,” “I know that my Redeemer liveth.” 
Yes, the events of Good Friday are bitter and overwhelming. Yet, we can remember Christ bears all our iniquities. Christ gives us His righteousness freely. As the statue standing watch by Handel’s grave testifies, “I know that my Redeemer liveth.”
Through Jesus Christ, His Passion, and death, and Resurrection, we are forgiven! Believe the Good News of the Gospel! Amen, and amen.